Search: Starring Radha Mitchell

Robert Connolly successfully delivers a story which has enough nuance to keep adults from getting bored whilst remaining accessible to younger viewers.

Ridiculous doesn’t quite cover it.

The success of this film is in its attention to the sort of small human details that create the boundaries of our day to day worlds, the things we hang onto and use to define normality.

An intriguing film, right up to the end.

The main part of the action being presented as a fait accompli, it doesn't seem to matter all that much who the killer is.

Nicely dressed, nicely lit, nicely shot, and completely empty of both wit and observation.

It is difficult to find anything bad to say about a film that treats an interesting subject with such respect and ingenuity.

While it's got some sections that are striking, it's a swing and a miss.

Cholodenko has a gift for saying little and implying much.

"The plot is bollocks."

The film resembles a schizophrenic's acid trip - viscious, paranoid and out-of-the-box.

For once, Allen's muse deserts him.

24-carat, high pressure excitement

David Twohy [uses] imagination as an alternative energy source.

Schumacher uses split screens and visual wizardry to retain a breakneck pace.

McLean eases us into the story and straight away begins to slowly crank up the tension and muster an unshakable air of sickening foreboding.

The film fails to acknowledge its own absurdity and that, as it turns out, is okay, because May is more than capable of carrying it as it is.

In the world of hope and love man is the servant of good

Finally, a horror movie worth bragging about.

We don’t get much explicit backstory, so it’s the chemistry between the actors that’s important to making this slight story convince, and for the most part, it’s there.

It's the incoherent plotting and pitiful support acting that really sink Revelation.

Surrogates develops into a glossy thriller that looks and acts just like the real thing.